HAZE / I SEE THE LIGHT (IN YOUR EYES) (180G VINYL)
12 Inch, 180 g 30.01.14
straight out of st petersburg comes a brand new drum & bass label from russia with a lot of love. an offshoot of already established audio plants recordings, burelom (pronounced boorelom) is the russian word describing rugged outdoor terrain, windswept landscapes and fallen trees. this image sets a precedent for the music to follow, expect some of the most breathtaking d&b from deep, dark sonics through to ethereal vocal-led dance floor infusions, starting with release number 1 due january 2014.
uncanny, fervid music from fire-walking rituals - 1979 field recordings from northern greece - alongside killer new invocations of the spirit-world. excoriated, dread, ecstatic, driven. beware kemal. includes remixes by pete swanson and vatican shadow.
double 12 inch vinyl in gatefold sleeve.
whether he is headlining at nightclubs or playing a marathon set for an underground afterhours event, elon has a key asset in shaping new yorks vibrant underground music scene.
gtcm016 introduces d.k., a new artist to emerge from paris electronic underground. with an impressively accomplished sound for a debut release, this ep contains four original tracks and its all killer, no filler house in the vein of ron trent, moon b, ppu and future times
THE ROOTS OF HIP HOP - FROM CHURCH TO GANGSTA (2X12 LP)
2x12 Inch LP 10.01.14
hip hop did not develop in a vacuum - its roots can be traced back to the earliest afro-american music, and the folks who were influenced by these sounds along the way. this lp compiles some of the great recordings that showcase the spoken word and street culture put forth from the 1920s through the 1960s that would go on to influence the entire rap music genre. the themes will be familiar - religion, politics, black experience, badass gangsta rap, speed, sex, drugs and rock n roll. lets listen to the lessons that the hipsters of the past taught the rappers of today.
george morel. the man behind that name stands for warm and soulful house sounds for decades, not only for being one of the hottest djs around the world, but hes also a multiple gold and platinum receiving artist with the help of his excellent production skills. now hes back once more on alex flatners label circle music - with a new underground hit.
bruno pronsato presents his new project, archangel - his first solo release in 2 years. this single highlights the developments that have occurred in the pronsato sound in that time, and features bruno himself on vocal duties.
fantastische live-versionen der größten hits von disco-queen donna summer, aufgenommen am 28. februar 1999 im hammerstein ballroom, new york city. high fidelity pressung auf schwerem 180 gramm vinyl im klappcover.
NEW GERMAN ETHNIC MUSIC-IMMIGRANTS SONGS FROM GERMANY ELECTRONICALLY REWORKED
12 Inch 18.11.13
in the 1970s the american composer henry flynt started a series of pieces under the title >new american ethnic music<. in so doing he worked together native styles of music such as blues, country or hillbilly with electronic production methods to make something altogether new. so far in germany it has never been attempted to rework folklore electronically for a compilation. however, this picture changes if one redefines the idea of who the population is. incomers have brought new >national anthems< to germany, which means - even the portuguese fado, the african gnawa, the croatian klapa or the vietnamese quan ho are these days at home in germany. with the cultural project >heimatlieder aus deutschland< (native songs from germany) founded by former spex editor mark terkessidis and label manager jochen kühling all the various styles of traditional folk music now found in germany has been collected. thirteen of the songs recorded for the project have now been transformed by contemporary electronic producers to present a >new german ethnic music<. but why remixes? for one thing electronic music has recently focused a lot on the past (ghost music, hypnagogic pop etc.) – electronic editing is well suited to follow the effects of the immigrant music which the >imaginary national anthems< has created. furthermore the projects instigators were curious how >electronic musicians< would handle folk music and folk songs which is a hugely difficult task. to this end artists were sought out who could get along with the idea of each music style and who are known to already have experimented with the human voice. the results are as varied as the music styles and djs involved. some melodies remain completely intact while others are abstracted beyond recognition. margaret dygas associative approach ensured that she presents a polish song about a girls arranged marriage with a claustrophobic feeling. with his remix of the marrabenta of mozambique mark ernestus has continued the rhythmic experiments he is known for with jeri jeri. thomas mahmoud translated gnawa into dub and finaly ulrich schnauss turned the song of the italian chorus of >donni so< into a hymn for the horizon-expanding power of migration.hopefully this compilation will also expand some horizons.
exhumed 77 ost frond *riddles of the sphinx* magick mike ratledge unfurls coils of arp, moog & vcs-aks via denys lucifer, irvings hacked z-80 sequencer these post-soft machine plumes spiral in stasis to the frame pans and lockdown maddoxs & mulveys dialogue like se17 dunes the concentric riddle of the missing original master tapes ... film reel audio prised from the bfi vaults & transferred straight to zeros & ones by hieroglyphic happenstance…this acrobatic dredge has revealed more than enough mercury to further protract the riddles within. *you ve got my number if you need anything* ... ibm *the films ground-breaking electronic score, by the soft machines mike ratledge, was composed on synthesisers which were developed in collaboration with denys irving (the man behind the mysterious and controversial 1970s band lucifer).
IN THE DARK: DETROIT IS BACK (3X12 INCH GATEFOLD LP)
3x12 Inch 08.11.13
still music presents the second volume of the in the dark: detroit is back series showcases a wealth of the motor city taken including marcellus pittman, delano smith, rick white, amp fiddler and many more.
addicted music is proud to present the second vinyl release, a massive various artist with 4 big producers : perseus traxx, julie marghilano, v!to, tato is & jose armas.
after whispering the name >the jaydes< for a few months, the dame-music crew is proud to finally reveal their first single >step on light< on a vinyl only release. the jaydes are a collaboration between two friends and studio partners bloody mary and attan. their first remix of anaxander >7 ways< on the last dame-music release was a good introduction to their album, that >step on light< is a hint on what is forthcoming. the album, due in february 2014 will include nine tracks and some serious featuring artists. >step on light< rises from its very strong 80s influences to the 21st century with class and power. the swinging drums and the percussive bass mark the tone and lead the groove all the way till the end.
modern primitivism, the fifteenth release on get the curse music comes from the label head clement meyer. a 3-track 12 inch that showcases a new, albeit logical, direction for the producer, now blending electronic body music, industrial, downbeat and 70s electronics in its own raw, moody & distinctive style. as a counterpart to the left-field vibe on the ep, lumigraphs remix (opal tapes, mister saturday night) is a techno bomb ready to serve the dancefloor.
a word from label boss chris farrell: this is the new one on idle hands, from us producer strategy. i first came across paul dickows work when he released a 12 inch called *world house* on his own community library label back in 2005. it blew me away. in the ensuing years my friend duncan george who promoted bristol’s best electronic music night - under_score tried on numerous ocasions to book him for a bristol date but it never quite hapened due to the usual things that go wrong in club land. in those years duncan kept in touch with paul and last year suggested to him that it might be worth sending some tracks to me, which he did at the start of 2013… add a peverelist remix and you have the tracks here before you, dub reggae informed house and psychedelic 2 step vibes.
as an artist, christian burkhardt, is not content with existing within the realms of house and techno, but is determined to further stretch its limits with his signature sound originally from heidelberg, germany, he has carved out his own unique path in production, something which perfectly evident on send the money back.
nach der veröffentlichung des neuen albums tomorrow s harvest , das von einer aufsehenerregenden internetmarketingstrategie begleitet wurde und boards of canada weltweit erstmals in die charts katapultierte, erscheint nun - aufgrund starker nachfrage - eine reissue-reihe mit all ihren bisherigen vinylformaten. jedes neue vinyl enthält diesmal zusätzlich einen downloadcode. zuerst erscheinen die alben music has the right to children (1998), geogaddi (2002) und the campfire headphase (2006), im zweiten schritt das minialbum twoism (1995) sowie die beiden eps in a beautiful place out in the country (2000) und trans canada highway (2006).
leeds based duo death on the balcony return to seven music after dropping their party perspectives ep on the label in march of this year. mark caramelli and paul hargreaves have been busy boys over the last few years, releasing on esteemed labels such as culprit, pets, silver network and airdrop. their years of experience as djs and record collectors shines through in the pairs productions, but what sets the guys apart from the rest of the rat race is the amount of depth and emotion they manage to pack into their tracks. music that will easily stand the test of time and sound equally as good on the dancefloor, as it will on the headphones!
remixes by fred p reshape, moomin, lauer, acid louis mix, orson wells!supported by, jacques renault, axel boman, roberto rodriguez, julietta, iron curtis, langenberg, ooft!, show b, san soda, tim sweeney, ian pooley, jimpster, permanent vacation, gerd, janson
endless welcomes paolo tocci and russian techno dj andrey pushkarev, who is very popular with his audiences for his deep sound and signature sensitive melodic techno, in addition to his use of vinyl records from his extensive collection which he has been expanding for over 10 years. his recent ep on circus company captured the attention of many and in particular of luca bacchetti who then included him on the tracklisting of the recent arkitekt 02. paolo tocci, talented italian dj from catanzaro, has been responsible for many parties in calabria, one of the most beautiful regions in the south of italy. now living in switzerland, he produces electronic music surrounded by the natural beauty and suggestive landscapes of canton ticino. endless 004 has a romantic feel to it and features these 2 deep house gems to celebrate the end of summer.
fleetwood mac is a band with many faces. in contrast to their poppy sound of the 70s, fleetwood mac actually started out in the sixties as a psychedelic blues band under guitarist peter greens lead.
pious bird of good omen was originally released in 1969 as a compilation of the bands bluesy roots: their first four uk singles and their b-sides and two tracks by bluesman eddie boyd with fleetwood mac backing. the albums sound is laidback, down & very dirty, featuring scorching cover versions of little willie johns >need your love so bad< and robert johnsons >i believe my time aint long<. the b-side features the international hit single >albatross< and peter greens composition >black magic woman<, the latter being popularized by santanas version in 1970. this album is a must-have for blues fans. anyone interested in the roots of fleetwood mac might discover they are essentially a totally different band than one might think.
a beautiful, hand-drawn, 140-gram 4xlp, heavyweight package in a cross-shape including cd. one time pressing of 500 copies worldwide. the follow-up to highly acclaimed ideas from the pond album.
another superbly crafted ep released on the organic-music imprint features tom ellis three original tracks and a brilliant remix by leif. neither of the producers featuring on the release need any introductions as they are very well known names around the underground dance music scene for quite some time now. the ep has a very eclectic feel to it that can satisfy todays very demanding musical palates. deep. funky, bass driven, cross-over between live and electronic soundscapes, one can hear all of that in this little gem of a record.
we have got a stunning debut ep for cellaa music. horatio will release his singing in the rain end of july and we are really happy and excited to unleash his sound into the world
the uk producer is joined by some famous friends on a surprising journey. watch the ants, paul whites forthcoming ep, is sure to further solidify his reputation as one of the most innovative producers in hip-hop and beyond. the south londoner is joined by the motley crew of trim, sean price, homeboy sandman and rap superstar-in-waiting danny brown, who recruited paul to produce nearly half his forthcoming album old and cited him as *my fav producer to work with*.
coming correct from deep within the london scene, jonno & tommo consummate their production partnership with a return to ornate to delve further into the hypnotic, soulful end of the house spectrum. close the door stretches across the a-side of their new release, the tough demeanour of the drum-heavy intro giving way to a serene pad arrangement, setting the tone for a starlit workout bolstered by an infectious hook of dusty vocal and subtle sonic decoration that accentuates the groove. small stone represents a more reflective mood on the flip, steadily feeding in reams of rhythm and melody before fully blossoming into an equally seductive, bumping jam laced with a perfectly pitched acid line that nestles into the cosy confines of the track.secret weapon of the capitals underground house fraternity, miles sagnia steps up with a simmering remix of small stone that keeps the tension high and the textures roaming through a decidedly futuristic soundscape, while still retaining the ethereal tone of the original.
THE JOHN RED HAWK PROJECT (BLOODY MARY & ATTAN RMX)
12 Inch 17.07.13
for them 21st release, dame-music is proud to present upcoming artist anaxander with the jonh red hawk project, including a remix by bloody mary and attan.
after previous remixes for sideshow and mymy on aus music in 2009, bristol-based kieren lomax (aka komon) will return to will sauls respected imprint this july with, walk the walk. with his debut lp, released last year on apple pips, komon asserted himself as a producer capable of shapeshifting through a variety of soundscapes.
after one of the coldest winters on record in the uk, boe provides a welcome respite from haunting memories of the past freezing months with a slice of warmth, soul and deepness from the labels first italian signing, gaetano battista. with a slew of releases under other aliases, the first vinyl record for gaetano under his birth name comprises of 3 tracks of measured, mature and emotional house music that defies any debut presumptions.
features 2 tracks taken from the third mans debut album beyond the heliosphere with legowelt remixing pipes of helios canyon, with the addition of the growling techno tune the tracker
i-robots is an alias of opilec music boss gianluca pandullo, a long time dj and producer with a penchant for classic techno and electro cosmic disco. for his next project in the esteemed i-robots reconstructions concept series the italian re-edits some classic material, all with the permission of the original artists. the tracks in question are derrick mays hugely influential *emanon* cut, recorded under his rhythim is rhythim alias and originally released in the 1990s on his own seminal transmat records label – one of the most important imprints in the early days of techno alongside kms and metroplex. the second track – which was first released on metroplex, the label juan atkins founded in 1985 and then re-released and reworked on sound vision - is *game one* produced by the legendary juan atkins and orlando voorn as infiniti. the latter of these pair has already released a number of times on the opilec music label.
the mysterious duo strangers in heaven strike back on souvenir! after their first highly acclaimed release last year and their remix of souvenir bosses, tiefschwarz, the boys return with a strong two tracker. first track, set me free, is a deep groover which features jonny cruzs incredibly melodic voice. the same track gets a decidedly deeper once over from none other than, eric volta (ellum, visionquest). on the flip, the future is a miami bass vs. techno tune with some real old school house feeling injected into it, featuring the unmistakable voice of the wondrous navid izadi(wolf+lamb, soulclap).
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